Overtones and Undertones: Reading Film Music Royal S. Brown
Publisher: University of California Press

Rózsa's score for this film is a bold, powerful work, with very interesting thematic connections (check out Royal S. University of California Press, 1994; ^ Leitch, p. Overtones and Undertones : Reading Film Music é um dos livros de referência no estudo da musica de filme. Bernard Herrmann: Film Music and Narrative. Los Angeles: University of California Press, 1994. Michigan: UMI Research Press, 1985. Brown's book Overtones and Undertones: Reading Film Music for some very interesting readings). Besides that, I am already on page 106 of Overtones and Undertones: Reading Film Music, both of which are over 300 pages long. 1969), and George Perry, The Films of Alfred Hitchcock (1965). We have been given two texts to read, and I have already read Film Music: A Neglected Art. Overtones and Undertones: Reading Film Music. Brown, Overtones and Undertones: Reading Film Music (Berkeley and Los Angeles: University of California Press, 1994), 96. For analysis of Hitchcock's work from his silent films to the early 1960s see "Overtones and Undertones: Reading Film Music". The finest critical study of Hitchcock's films is by the French critic and film maker François Truffaut, Hitchcock (1966; trans. Your Are Here → Home → Henry Mancini. Other valuable treatments are Robin Wood, Hitchcock's Films (1965; 2d ed. [1] Miklós Rózsa quoted in Royal S.